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December 31 at 11:09am

2010: A Great Year For Self Programmed Repertory Cinema

Today’s guest post is from producer/executive Michael Jackson.

This is another of my annual lists dedicated to the proposition that this is the best time ever to see great films, if not – alas – to get them made. In the comfort and safety of your own home the combination of Netflix/Lovefilm, dvd’s and TCM allows for the best ever – self programmed – repertory cinema.

These are all films I saw this year – not ‘classics’ or much written about, but all of which I found intriguing or fun or fascinating. Hopefully you’ll find something you’ll be happy to have seen in the following:

1. There’s Always Tomorrow. (Douglas Sirk 1956). Maybe my favorite discovery of the year from the king of melodrama, Douglas Sirk. This reunites the stars of Double Indemnity, Fred MacMurray and Barbra Stanwyck. He’s a toy manufacturer trapped in conformist fifties family life with Joan Bennett and numerous annoying children, she’s the other woman, with a successful fashion career. Uniquely for the time no-one is cast as the guilty party but everyone is trapped in the LA sunshine. It’s great as drama, social history – and California architecture.

2. Moonrise. (Frank Borzage 1948). I stumbled on this obscurity from the forties by accident. It’s ‘about’ a murderer’s son driven to violence by others refusing to forgive his heritage, and the story is perfectly fine, the acting less so. What makes it compelling is the richness and emotion of the studio based film-making. Watching Moonrise is like living in a parallel dream world. If you like this try Borzage’s exquisite color adaptation of A Farewell to Arms from 1933.


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