X

Looks like you are a new visitor to this site. Hello!

Welcome to Hope For Film! Come participate in the discussion, and I encourage you to enter your email address in the sidebar and subscribe. It's free! And easy! If you have any suggestions on how to improve this website or suggestions for topics please don't hesitate to write in to any of the blogs.

You can also follow me on Twitter or Facebook.

(If you keep getting this message, you probably have cookies turned off.)

August 25 at 10:59am

Leaving Some Things Unexplained

By Ted Hope

When did American movies start trying to clarify absolutely everything? What is our national obsession with trying to provide a psychological explanation for all characters’ behavior? If you ask me, I think we have gone overboard. Way overboard. Time to leave that practice behind.

It’s refreshing to see a few films recently start to abandon this practice. Miyazaki’s PONYO did not try to explain the magic (at least in the version released Stateside). Neil Blomkamp’s DISTRICT 9 did not try to explain why the aliens landed here or how people learned their language.
It is fun for the viewer to come up with their own explanations, to discuss these possibilities with their friends. We certainly don’t know everything about our world and leaving some gaps in the narrative feels truer as a result.
David Bordwell touched upon the need for spaces in his great essay “Now Leaving From Platform 1” where he explores the hopes of expanding the narrative (and yes, okay, I am referenced therein). Our storytellers really need to take it to heart. It’s curious that both of these examples come from abroad.
You can even see Bronkamp employing this strategy in the short film that launched his feature: “ALIVE IN JOBERG”.


  • Digg
  • Google Bookmarks
  • email
  • Print
Leave a Comment

This site could not have been built without the help and insight of Michael Morgenstern. My thanks go out to him.

Help save indie film and give this guy a job in web design or film!